During the interval of Tuesday afternoon’s concert (Sara Zamboni’s / Microtonal Pianos), we had a brief chat with Hup, who you might know from visiting many concerts of the composition department.
When talking to him, we found out that he had begun attending the Spring Festival four years ago.
What makes Hup come back to the Spring Festival is the diversity of music, which caters for his own need to be surprised. He admires that the music is ‘sincere and people have to do it’, which makes it interesting. He likes that the students’ music has a ‘sense of urgency’.
Blog post by Patrick Ellis and Eva Beunk
On the first day of the spring festival there will be a very special concert (as on all the other days as well of course).
The composition department invited Nicolas Collins to fill an evening with his music.
He was happy to do so, made a program which will be performed by students of the composition department.
Nicolas selected four pieces, for this concert. In the selection process he was mostly concerned with one thing: It had to make use of the students as performers as much as possible. He is interested in what happens if performers are working together, he wants to challenge performers by putting them into situations in which they don’t exactly know what is going to happen so that they have to creatively react on a short notice.
‘If you perform a piece you can really figure out how that stuff has been made’
All of the pieces that Nicolas selected for this concert make use of electronics:
“My interest in technology is not so much that I want it to create new sounds, but at home we always called it a football. If you put 6 kids that don’t know each other in a playground and you put a football in the middle you have instant interaction, but if you don’t and they have to talk to each other it Is complicated. So, I tend to use technology more for organizational purposes then for it’s purely sonic ones.
I love to take risks, which means that occasionally stuff doesn’t work correctly. I want to perform proper experiments on stage. Neither the performers, the audience, or the composer knows what is actually going to happen, but as with a good cake recipe, you’re so happy when it comes out of the oven right!”
Blogpost by Eva Beunk
Pictures by Wilson Leywantono and Yannis Kyriakides
Between the 1st and the 6th of April, there will be a diverse range of captivating music from the Composition students, along with performances from ensembles and solo artists including the Nieuw Ensemble, Ensemble Klang and the New European Ensemble.
Events will take place in the Conservatoire’s Arnold Schönbergzaal, the Korzo Theater and other spaces in and around the Conservatoire.
One of the themes of this year’s festival is collaboration. Throughout the week you will witness works by students of the composition department which have been worked on with Ensemble Klang and the KABK, as well as the vocal, classical, early music and the dance departments in the Conservatoire.
Over the next two weeks, we will keep you posted on all the ins and outs of the preparations, rehearsals, program, musicians, audiences, concerts and lots more!
Blog post by Eva Beunk, Patrick Ellis and Amba Klapwijk
This year is already the 52th edition of the Spring Festival. We asked our teachers, former students of our conservatoire how everything was back in their time….
Calliope Tsoupaki: “It was the same building, it smelt the same, everything was the same. It was like now: busy. You have to imagine that me, Martijn, Yannis, Peter, (red: all composition teachers) we were all like you students are now. “
Both Calliope and Diderik Wagenaar confirmed that the Spring Festival’s chaotic level of now is nothing compared to their time.
Calliope Tsoupaki: “We had to do everything ourselves. We had to find our way alone, also in the wild life of getting concerts and all that stuff. The spring festival was not so much divided in projects as it is now. So everybody was presenting their work, but it was us who took the initiative. For the rest it was not so different from now.”
What made the Spring Festival special? “It was the sphere that was different than the rest of the year in the school, in the Spring Festival everyone was seeing you in a different way. And I remembered once Diderik was walking around and I had a piece for piano, and I remember that he came and to tell me “ok now perhaps it is time that you follow one more lesson with me” and I will never forget that.
Calliope is supervisor of the Vocal Project which is already going on for 10 years. Together with Noa Frenkel, she coaches the composition students that are working together with students from the vocal department.
“The vocal project is a very sensitive project. Vocal writing is always different than the rest of the instruments: the whole body of the singer is part of it. It is not like ‘oh I am gonna play a note and then it is ok with my instrument’, it has to be from the deepest part of the body created by singer.
Noa is giving a lot of feedback on stage presence, and this is something you really need to have, because we composers don’t always give the right feedback on how we want the singer to stand. So during the rehearsals when Noa comes in, and she just says three words to the singer, the singer starts singing in another way. It is just the same piece, nothing changed, it is not that they practiced more.. This is the miracle of the vocal project.”
The concert of the vocal project “Under the Same Moon” will happen on Thursday evening, 4 april at 19:30 in the Arnold Schönbergzaal, Royal Conservatoire.
Header picture: © Co Broerse
Calliope Tsoupaki and Guus Janssen (above)
Paul Termos, Martijn Padding, Cornelis de Bondt, Elmer Schönberger, Andries van Rossem, Joël Bons, Louis Andriessen